"It’s easy for you to accuse me now but you don’t understand. Everyone lived like we did! Well maybe not everyone, everyone. But… I wasn’t any worse than anyone else."

The not-too-distant future. A world where the air is unbreathable. A jury of twelve angry
teenagers. A chance to put the adults on trial for the devastating damage they have done to the planet.

Can they deliver justice or are they just out for revenge?

Inventively theatrical, revolutionary, and savagely funny, Dawn King’s play challenges us to
imagine the ways we might be held accountable for how we are living our lives.

“I am not a part of the story you tried to write
I am the story
And it ends when I say so.”

Everyone knows how Jason won the Golden Fleece - everyone knows how he became a hero for all time - and everyone know the part his wife, Medea, played in creating his legend - don't they?

Erased from the narrative - abandoned by her husband for a new wife and a new life - left isolated and alone in a city where she does not and cannot belong - Medea begins to plot revenge - a terrible, bloody revenge that will send a howl of rage echoing through the ages.

The award-winning production of this thrilling Greek tragedy returns re-imagined to tour Scotland's stages.

"Starring Nicole Cooper in the title role, Kathy McKean's powerful new version of Euripides' Medea burns with rage and rips at the heart" (Joyce McMillan, The Scotsman)

With bold theatrical innovation and immersive world-building typical of Vanishing Point and Katapult, What I’m Here For is a fast-moving fusion of new European writing and visual imagination, which explores the tragi-comic collateral of hospitals and human choices.

Flora stands on the roof, smoking. As the snow begins to fall, she reflects on the night just passed. During her shift, Flora told a lie so convincingly that she frightened herself. Was she placing compassion before truth, or was she exposing a darkness within herself? As lights flicker on and the city awakes, she travels back in time. Back to the chaos-fuelled, fluorescent-lit corridors of Ward 7. Back into the room of the girl she lied to.

Multilingual, with surtitles integrated into the design, What I’m Here For is an international collaboration created by the teams that brought you Confessions of a Shinagawa Monkey and The Insider.

“In a factory like this, you’re part of a team. You’re a family.”

Faced with the threat of their factory closing, and with 240 jobs on the line, there’s no way the women of the Lee Jeans factory are going down without a fight.

They barricade the doors, take a stand against corporate greed and stage a sit-in that lasts for 7 long months.

Developed in conversation with some of the key women involved in the strike, this new play is full of authentic details that bring this significant moment in Scottish history to life.

Played out to a live 80’s soundtrack, this is the true story of the gallus Greenock girls who
fought a battle against injustice that thrust them onto the world stage.

From an idea conceived by Paul English and Frances Poet.

Something's wrong. Baby Mash-Up knows there is something adrift, but she can't pin it down. The seams of time and space are splitting, and she wants to figure out what's going on and - most importantly - how she ended up here. This is both Troubles-era Ireland and also really, really not; this is a field, a laundrette, a bingo hall, and a night sky. This is a question about how we make sense of ourselves in a time when our private myths and stories no longer feel true, and how the ordinary can fuse with the extraordinary to reveal a new reality. And yes. There'll be tap dancing. Naturally.

Using Baby Mash-up, what on Earth are you doing? as a starting point for discussion, stillpoint presents an opportunity to hear readings of work not often presented and to openly discuss innovation in new writing.

Led by a presentation of Soz Redland’s ground-breaking David and the Hedgehog, we’ll be diving into the questions, concerns, and dreams that drive the writers ‘breaking the rules’. In this play, David saves a hedgehog from certain death. They swap places, and something is fundamentally altered in the order of the universe. This is a poignant and gloriously funny play about settling in our own strangeness and learning how to not feel prickly in our own skin – one not to be missed.

"Do you know how they get animals to breed in captivity?
They put them in the same cage."

Meet Tom. He’s single, sorted (so he thinks) and spectacularly uninterested in romance. Enter Amy. One new job, six pints, and a questionable kebab later, and suddenly they’re… dating?

Neither of them knows how this happened, neither know if this is what they want, but they are both still carrying enough emotional baggage to sink a small ship.

A fast, funny, painfully relatable rom-com about two people who might just be perfect for
each other – if they can ever get over their past. In a world of dodgy office flings and terrible exes who never quite stay exed, My Romantic History asks: if you haven’t met ‘the one’ by thirty, are you the problem – or is it everyone else?

Everybody remembers their first love. Few survive their second.

She’s no’ just frozen… she’s baltic!

Christmas is running like a dream down in Santa’s (aka Kristine Cagney Kringle’s) workshop. All nice and naughty lists have been checked off. Nothing can go wrong. Until a broken magic mirror unleashes pure chaos and transforms Rudie The Red Nosed Reindeer into the terrifying Snaw Queen. No Rudie with his Red Nose? Then no Christmas presents can be delivered. Christmas now looks almost certain to be cancelled.

Kristine has no option but to team up with Olive (the other reindeer) on a dangerous quest across the pantosphere, past poisonous pensioners and their soprano sunflowers, past all-singing cowboys coming straight fae the Grand Ole ‘What Have We Got Here Noo’, to underground lairs where the people sound like they’re fae North Kelvinside, all whilst battling temperatures colder than Glasgow in July.

Will they ever find what they need to bring Rudie back to their rosy faced self? Will Christmas be saved? Will the Snaw Queen’s heart thaw? If you dinnae book now, you’ll find oot hee-haw…